{"id":10008,"date":"2021-05-14T12:14:26","date_gmt":"2021-05-14T10:14:26","guid":{"rendered":"https:\/\/monteprama.it\/les-statues\/pugilatori\/"},"modified":"2023-04-07T06:21:29","modified_gmt":"2023-04-07T04:21:29","slug":"pugilistes","status":"publish","type":"page","link":"https:\/\/monteprama.it\/fr\/les-geants\/pugilistes\/","title":{"rendered":"Pugilistes"},"content":{"rendered":"

[vc_row full_width=\u00a0\u00bbstretch_row\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1622130390492{background-color: #839c53 !important;}\u00a0\u00bb][vc_column][vc_empty_space][vc_column_text]<\/p>\n

Pugilistes<\/strong><\/span><\/h1>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1678786420091{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb5\/6″][vc_column_text]<\/p>\n

Les statues de pugilistes se couvrant la t\u00eate de leur bouclier sont les plus fr\u00e9quemment r\u00e9assembl\u00e9es, bien que toutes ne soient pas dans le m\u00eame \u00e9tat de conservation.<\/h2>\n

L\u00e0 encore, le recours aux bronzetti est fondamental pour la reconstruction de l’iconographie, bien que l’interpr\u00e9tation n\u2019en soit ni simple, ni univoque.
\nLes statues les plus compl\u00e8tes permettent de reconstituer facilement le prototype du pugiliste.<\/h2>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb5px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb2873″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1678784429566{margin-top: 0px !important;padding-top: 0px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/6″ css=\u00a0\u00bb.vc_custom_1622179461060{padding-top: 100px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb7016″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_column_text css=\u00a0\u00bb.vc_custom_1678872282950{padding-bottom: 0px !important;}\u00a0\u00bb]<\/p>\n

Le boxeur est repr\u00e9sent\u00e9 comme un homme torse nu avec un corps puissant<\/strong>. Avec son bras gauche, il tient un bouclier rectangulaire aux coins arrondis<\/strong> au-dessus de sa t\u00eate. Le bras droit est tendu en avant et pli\u00e9 \u00e0 angle droit et est recouvert d’un fourreau qui se termine sur le poing avec une pointe saillante, qui devait \u00eatre l’arme du combat rituel. Ce d\u00e9tail n’est pas visible sur les statues recompos\u00e9es, mais seulement sur quelques fragments qui n’ont pas pu \u00eatre rattach\u00e9s.<\/p>\n

Il porte uniquement un pagne pointu \u00e0 l’arri\u00e8re<\/strong>, maintenu par une bande \u00e0 rabats superpos\u00e9s sur la partie avant, tandis qu’\u00e0 l’arri\u00e8re il s’\u00e9largit et pr\u00e9sente une forme de \u00ab w \u00bb. Les d\u00e9tails de ce v\u00eatement sont repr\u00e9sent\u00e9s avec minutie. La statue repose solidement sur ses pieds nus sur une base carr\u00e9e<\/strong>. Les mollets sont marqu\u00e9s ainsi que le tibia, rendu avec un trait net et anguleux ; les cuisses sont fortes et peu d\u00e9velopp\u00e9es en hauteur contrairement au torse. Les statues donnent l’id\u00e9e\u00a0d’hommes robustes et trapus<\/strong>.<\/p>\n

Le visage de deux d\u2019entre elles est parfaitement conserv\u00e9<\/strong>. Cela nous permet d\u2019en appr\u00e9cier les d\u00e9tails : la forme plate et triangulaire avec le menton coup\u00e9 horizontalement, la forme en \u00ab T \u00bb des arcades orbitaires et les grands yeux ronds<\/strong> constitu\u00e9s de deux cercles concentriques. La bouche se r\u00e9sume en une fine ligne grav\u00e9e, les narines du nez en pilier sont repr\u00e9sent\u00e9es par deux incisions tandis que les oreilles de forme semi-circulaire sont creus\u00e9es au centre. Le visage est encadr\u00e9 par de fines tresses descendant sur la poitrine<\/strong>.[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb2728″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00a0\u00bbstretch_row_content_no_spaces\u00a0\u00bb][vc_column][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb2552″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3422″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3426″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3430″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3434″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3438″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00a0\u00bbstretch_row\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_column_text]<\/p>\n

Pugilistes, guerriers ou athl\u00e8tes ?
\n<\/strong>Si la d\u00e9finition de \u00ab pugilistes \u00bb est d\u00e9sormais conventionnelle, des doutes subsistent encore quant \u00e0 l’interpr\u00e9tation de leur repr\u00e9sentation.
\nUne hypoth\u00e8se envisage ces figures comme des guerriers l\u00e9g\u00e8rement arm\u00e9s<\/strong>, aptes au combat au corps \u00e0 corps gr\u00e2ce \u00e0 leur bras gant\u00e9 et la protection de leur bouclier.
\nUne autre interpr\u00e9tation, en revanche, envisage cette figure comme celle d\u2019un athl\u00e8te s’adonnant \u00e0 des jeux sacr\u00e9s et sanglants<\/strong> en l’honneur des divinit\u00e9s ou des d\u00e9funts : ces pugilistes seraient donc \u00e0 relier \u00e0 la sph\u00e8re du sacr\u00e9.<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Une nouvelle iconographie du pugiliste
\n<\/strong>Lors des fouilles de 2014, deux statues pr\u00e9sentant une nouvelle iconographie de pugiliste<\/strong>ont \u00e9t\u00e9 d\u00e9couvertes : le bras droit gain\u00e9 n’est plus lev\u00e9 avec le poing pos\u00e9 sur le bouclier mais plac\u00e9 horizontalement sur la poitrine ; le bouclier, d\u00e9pourvu d\u2019angles arrondis, n\u2019est plus tenu au-dessus de la t\u00eate mais au bras gauche plac\u00e9 verticalement le long du corps, et comprend une large portion couvrant partiellement le torse ; enfin, les pieds sont chauss\u00e9s et non nus.
\nCette d\u00e9couverte est exceptionnelle car elle atteste d’un nouveau type d’iconographie parmi les statues ; or ce fait est tr\u00e8s rare, m\u00eame parmi les bronzetti<\/em>.<\/strong> Il n’existe en fait qu’un seul bronzetto nuragique pr\u00e9sentant une iconographie similaire.
\nIl s’agit du Bronzetto<\/em> provenant de la n\u00e9cropole de Cavalupo \u00e0 Vulci<\/strong>dans le Latium, datant de la fin du IXe si\u00e8cle av. J.-C. et dont la repr\u00e9sentation avait \u00e9t\u00e9 interpr\u00e9t\u00e9e par le pass\u00e9 comme celle d’un pr\u00eatre.<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1623396319428{margin-top: -70px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/4″][vc_single_image image=\u00a0\u00bb7029″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/4″][vc_single_image image=\u00a0\u00bb3334″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/4″][vc_single_image image=\u00a0\u00bb3329″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/4″][vc_single_image image=\u00a0\u00bb3338″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=\u00a0\u00bb16px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″]

\n
\n\t<\/i>\n<\/div><\/div><\/div><\/div>
<\/p>\n

voir les pugilistes 3D<\/strong><\/span><\/p>\n

<\/div><\/a><\/div>[\/vc_column][vc_column width=\u00a0\u00bb1\/3″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=\u00a0\u00bbstretch_row\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1622130390492{background-color: #839c53 !important;}\u00a0\u00bb][vc_column][vc_empty_space][vc_column_text]<\/p>\n

Pugilistes<\/strong><\/h1>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1678786420091{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb5\/6″][vc_column_text]<\/p>\n

Les statues de pugilistes se couvrant la t\u00eate de leur bouclier sont les plus fr\u00e9quemment r\u00e9assembl\u00e9es, bien que toutes ne soient pas dans le m\u00eame \u00e9tat de conservation.<\/h2>\n

L\u00e0 encore, le recours aux bronzetti est fondamental pour la reconstruction de l’iconographie, bien que l’interpr\u00e9tation n\u2019en soit ni simple, ni univoque.
\nLes statues les plus compl\u00e8tes permettent de reconstituer facilement le prototype du pugiliste.<\/h2>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb5px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb2873″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1678784429566{margin-top: 0px !important;padding-top: 0px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/6″ css=\u00a0\u00bb.vc_custom_1622179461060{padding-top: 100px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb7016″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_column_text css=\u00a0\u00bb.vc_custom_1678872282950{padding-bottom: 0px !important;}\u00a0\u00bb]<\/p>\n

Le boxeur est repr\u00e9sent\u00e9 comme un homme torse nu avec un corps puissant<\/strong>. Avec son bras gauche, il tient un bouclier rectangulaire aux coins arrondis<\/strong> au-dessus de sa t\u00eate. Le bras droit est tendu en avant et pli\u00e9 \u00e0 angle droit et est recouvert d’un fourreau qui se termine sur le poing avec une pointe saillante, qui devait \u00eatre l’arme du combat rituel. Ce d\u00e9tail n’est pas visible sur les statues recompos\u00e9es, mais seulement sur quelques fragments qui n’ont pas pu \u00eatre rattach\u00e9s.<\/p>\n

Il porte uniquement un pagne pointu \u00e0 l’arri\u00e8re<\/strong>, maintenu par une bande \u00e0 rabats superpos\u00e9s sur la partie avant, tandis qu’\u00e0 l’arri\u00e8re il s’\u00e9largit et pr\u00e9sente une forme de \u00ab w \u00bb. Les d\u00e9tails de ce v\u00eatement sont repr\u00e9sent\u00e9s avec minutie. La statue repose solidement sur ses pieds nus sur une base carr\u00e9e<\/strong>. Les mollets sont marqu\u00e9s ainsi que le tibia, rendu avec un trait net et anguleux ; les cuisses sont fortes et peu d\u00e9velopp\u00e9es en hauteur contrairement au torse. Les statues donnent l’id\u00e9e\u00a0d’hommes robustes et trapus<\/strong>.<\/p>\n

Le visage de deux d\u2019entre elles est parfaitement conserv\u00e9<\/strong>. Cela nous permet d\u2019en appr\u00e9cier les d\u00e9tails : la forme plate et triangulaire avec le menton coup\u00e9 horizontalement, la forme en \u00ab T \u00bb des arcades orbitaires et les grands yeux ronds<\/strong> constitu\u00e9s de deux cercles concentriques. La bouche se r\u00e9sume en une fine ligne grav\u00e9e, les narines du nez en pilier sont repr\u00e9sent\u00e9es par deux incisions tandis que les oreilles de forme semi-circulaire sont creus\u00e9es au centre. Le visage est encadr\u00e9 par de fines tresses descendant sur la poitrine<\/strong>.[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb2728″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00a0\u00bbstretch_row_content_no_spaces\u00a0\u00bb][vc_column][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb2552″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3422″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3426″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3430″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3434″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb3438″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css_animation=\u00a0\u00bbnone\u00a0\u00bb el_class=\u00a0\u00bbdidascalia\u00a0\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00a0\u00bbstretch_row\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_column_text]<\/p>\n

Pugilistes, guerriers ou athl\u00e8tes ?
\n<\/strong>Si la d\u00e9finition de \u00ab pugilistes \u00bb est d\u00e9sormais conventionnelle, des doutes subsistent encore quant \u00e0 l’interpr\u00e9tation de leur repr\u00e9sentation.
\nUne hypoth\u00e8se envisage ces figures comme des guerriers l\u00e9g\u00e8rement arm\u00e9s<\/strong>, aptes au combat au corps \u00e0 corps gr\u00e2ce \u00e0 leur bras gant\u00e9 et la protection de leur bouclier.
\nUne autre interpr\u00e9tation, en revanche, envisage cette figure comme celle d\u2019un athl\u00e8te s’adonnant \u00e0 des jeux sacr\u00e9s et sanglants<\/strong> en l’honneur des divinit\u00e9s ou des d\u00e9funts : ces pugilistes seraient donc \u00e0 relier \u00e0 la sph\u00e8re du sacr\u00e9.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Une nouvelle iconographie du pugiliste
\n<\/strong>Lors des fouilles de 2014, deux statues pr\u00e9sentant une nouvelle iconographie de pugiliste<\/strong>ont \u00e9t\u00e9 d\u00e9couvertes : le bras droit gain\u00e9 n’est plus lev\u00e9 avec le poing pos\u00e9 sur le bouclier mais plac\u00e9 horizontalement sur la poitrine ; le bouclier, d\u00e9pourvu d\u2019angles arrondis, n\u2019est plus tenu au-dessus de la t\u00eate mais au bras gauche plac\u00e9 verticalement le long du corps, et comprend une large portion couvrant partiellement le torse ; enfin, les pieds sont chauss\u00e9s et non nus.
\nCette d\u00e9couverte est exceptionnelle car elle atteste d’un nouveau type d’iconographie parmi les statues ; or ce fait est tr\u00e8s rare, m\u00eame parmi les bronzetti<\/em>.<\/strong> Il n’existe en fait qu’un seul bronzetto nuragique pr\u00e9sentant une iconographie similaire.
\nIl s’agit du Bronzetto<\/em> provenant de la n\u00e9cropole de Cavalupo \u00e0 Vulci<\/strong>dans le Latium, datant de la fin du IXe si\u00e8cle av. J.-C. et dont la repr\u00e9sentation avait \u00e9t\u00e9 interpr\u00e9t\u00e9e par le pass\u00e9 comme celle d’un pr\u00eatre.<\/p>\n

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voir les pugilistes 3D<\/strong><\/p>\n

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